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God Under the Goalposts

Tuesday, November 3rd, 2009

WilsonnflfootballLet me be honest: I’m still reeling from the Denver Broncos 30-7 loss Sunday to the Baltimore Ravens. I’ve been a Bronco fan since I was old enough to put on a plastic helmet, and my weeks always start a little more miserably during football season when we — I mean they — lose. And, after a loss like the one that took place on Sunday, even reading the word “football” can be painful.

Which made Time magazine’s story titled “God and Football: The NFL’s Chaplains Give Advice” particularly agonizing to read. But such are the sacrifices I make to write this blog.

The story details the work of the volunteers that minister to those in the National Football League. For a violent game played on Christianity’s traditional day of rest, football is surprisingly steeped in faith, and chaplains can play a pretty integral role in how their teams function, on some level. And sometimes they’re called to answer some pretty ticklish theological questions: “Does God want us to lose? Does he favor the Steelers? What makes Lambeau Field sacred? Is it right to pray for first downs when people are suffering? And who caused that fumble, Jesus or Julius Peppers?”

And then there’s this:

But the chaplains believe their real value is more long term than game-day ministering. Through teaching Scripture and individual counseling, they attempt to bolster the players’ values, so that their priorities, especially when they leave the regulated world of football, do not lead them down the path of self-destruction. At the same time, the chaplains help the players understand the acceptability of being forceful on the field, even as good Christians.

“The popular perception of Christianity in America, prior to the last 10 to 15 years, has been that being a Christian meant you were soft — you were considered weak, kind of a pushover,” says Pastor Trapp. “You’re the guy who was going to turn the other cheek. But you read in the Bible that some of those guys were brash and bold and forceful but still had a heart and a desire for God.”

The idea of fostering a more muscular form of Christianity is nothing new. Pastors who minister primarily to men know that a traditional church service, full of its romance-tinged worship music and touchy-feely vibe, can be a tough sell amongst the spitting, grunting set. It’s kinda nice for us Christians laden with XY chromosomes to have role models that, if given an excuse, could knock your block off.

Would You Share Your Pew With a Zombie?

Thursday, October 1st, 2009

zombielandDon’t look now, but the world is being overrun by zombies. Again.

We’ve seen this sort of thing before. Ever since “Night of the Living Dead” was released in 1968, we’ve experienced periodic zombie infestations — though nothing resembling an actual zombie apocalypse as of yet — and we’re in the midst of one of the most serious. They’ve invaded modern publishing, classic literature, many of our streets and, with the release of “Zombieland” tomorrow, they’ll take over our theaters. Again.

It certainly stands to reason that zombies would’ve attracted a certain level of scholarly interest, as well. Italian physicist Davide Cassidy tells us that, if pursued by a zombie horde, your best bet is to seek sanctuary in a mall, rather than, say, a deserted farmhouse. Canadian researchers have learned that, if zombies were spawned by the typically depicted brain-eating infection, humanity as we know it would almost certainly cease to exist, no matter how slowly the zombies walk. There’s even a Federal Vampire and Zombie Agency – something I missed when checking out C-SPAN during the budget hearings. But the agency has a Web site, which means it must be legit, right? 

But obviously, an onset of a zombie apocalypse would have some serious theological implications as well, and I wish some wise theologian would ponder them. But since no wise theologian would likely discuss such a scenario, I’ll ask you. Let me ask you a few quick questions: Remember, I’m just interested — there are no wrong answers … though some could potentially leave you more open to being perhaps a zombie appetizer.

1. If you saw a few zombies shambling down the street, would you …

a) Marvel at the wonder and diversity of God’s creation?

b) See the zombie as a sinner, as we all are, in need of love, support and perhaps aggressive counseling?

c) Assume that zombies are inherently evil and thwack them with a baseball bat?

2. Would the existence of zombies suggest that …

a) We’re officially in the end times, when we’re told the dead will rise again?

b) The afterlife is far more complex than we imagined?

c) We best stock up on shotgun shells and gas for the chainsaw?

3. The moment you see your first zombie, what would be your first thought?

a) “I can’t wait to hear Richard Dawkins try to explain that.”

b) “Oh, I hope it’s not somebody I know …”

c) “Man, I forgot to pick up the dry cleaning.”

4. If a zombie asked to attend church with you, would you …

a) Gladly agree, encouraged by the zombie’s interest in faith?

b) Agree — but perhaps call ahead so that one of the cry rooms might be reserved for the zombie, thus avoiding any embarrasing urges the zombie might have to snack during the sermon?

c) Suggest he just stay home and watch cable?

Post your messages down below.

That ‘Other’ Baldwin Brother

Thursday, September 24th, 2009

Stephen Baldwin. Photo courtesy lukeford.net

Stephen Baldwin. Photo courtesy lukeford.net

Slate magazine, an excellent online publication that has been known to be rather critical of religion at times, ran a story on Stephen Baldwin and his involvement with the Values Voter Conference, held last week in Washington, D.C. Baldwin was primarily speaking to teens at the conference, and the story suggests the one-time actor, now full-time Christian, is attempting to mold a new, politically active Moral Majority. 

Author Christopher Beam, though clearly wary of politically active evangelicalism, gave credit where credit is due: 

[Kevin] McCullough has known Baldwin only since 2004, but by all accounts, he says, Stephen is a different person from the tabloid-fodder Hollywood star. “What his brothers will tell you is, they may not like his politics, but they can’t argue with the fact that he was once a womanizer, a drug addict, an alcoholic, an addictive personality who has been set free from all of those things.”

What most people see as a plummeting career—few would recognize any of his 30 or so movies since Half-Baked—has in fact been a deliberate rejection of Hollywood, according to McCullough. “When he came to faith, he still could have done the ‘Here, show your butt cheek and make love to this woman, and we’ll pay you $4 million.’ ” But he didn’t. Instead, he has dedicated himself to more Christian-themed movies.

It was an interesting piece — worth a look, if you’re so inclined. But in its preoccupation with politics, I do think perhaps the more important story of Baldwin’s path to Jesus, and his transformative faith, went underreported. But I’d be interested to hear what you think.

I’m A Fan. U2?

Wednesday, September 16th, 2009

 

U2's Bono

U2's Bono

Christianity  is full of paradox. I think paradox is part of the faith’s very DNA: The King born in a manger; victory found in shameful death; the promise that, in order to save one’s life, one must give it away.

 

So it only makes sense that Christianity — the force that almost singlehandedly preserved the cultural achievements of ancient Greece and Rome, the foundation of so much of the Western World’s art, literature and philosophy, the entity that’s so woven into our cultural sensibilities that no atheist movement on earth can drive them apart — is, at its core, the most countercultural movement on earth.

That’s a long prelude to introduce the actual theme of this post: An outstanding essay on U2’s Bono by one of my favorite bloggers, Steve Beard. Beard, founder of the faith-and-culture roundup known as Thunderstruck, suggests that Bono — that hard-rocking Irishman — has become one of Christianity’s most effective evangelists. And, as such, Bono is wrapped in paradox.

Beard offers this example:

Bono has the reputation as rock ‘n’ roll’s most effective and enigmatic spiritual provocateur — rattling the souls of fans all over the globe. “I sometimes think I have a kind of Tourette’s syndrome where if you’re not supposed to say something, it becomes very attractive to do so,” he once confessed. “You’re in a rock band — what can’t you talk about? God? OK, here we go. You’re supposed to write songs about sex and drugs. Well, no I won’t.”

And then there’s this:

There is very little garden-variety Evangelicalism (in the North American sense of the word) found in the members of the band. They drink, smoke, swear, and wear leather pants. But there is a hefty and poetic theological substance that I think would startle St. Paul and would bring a smile to the Psalmist. This rock ‘n’ roll band is committed to social justice and eternal truth. In this day and age, that is no small luxury.

Bono disappointed several Christians I know when he made a cameo in Sasha Baren Cohen’s crudely provocative “Bruno” this summer. Many felt it beneath this rock star who, as time goes on, seems to poetically preach more and more with each passing album. For me, it felt like just one more pebble of paradox: The sort of enigmatic and sometimes incomprehensible paradox we all — and Christianity itself — is made of.

Medium is the Message

Monday, September 14th, 2009

 

An 8 mm camera. Photo by Holger Ellgaard

An 8 mm camera. Photo by Holger Ellgaard

Another book to put on my ever-growing list: “Flickering Pixels,” by Shane Hipps.

 

In a recent post, The Evangelical Outpost takes a quick look at the book: It sounds as if Hipps has brought to life a subject that few of us think much about but most of us should: How the media we use to digest and distribute our faith affects our perception of the faith itself. As the Outpost author states:

It has often been said that while the Gospel message will never change, the methods used to present it must change in order to make it feel immediately relevant to new audiences.  Christians have used countless methods, both conventional and unconventional, to communicate the Gospel:, movies, breath mints, billboards, T-shirts, toys, video games, flannel boards, comic books, and, in Francis of Assisi’s case, even poverty.  On the surface, this makes sense – different methods are saleable to different groups, and it’s important to communicate the Gospel effectively.

Unfortunately, Christians often assume the methods used are unimportant as long as the Gospelmessage remains unchanged.  In 1967 communication theorist Marshall McLuhan announced, “The medium is the message.”  In other words, the various media we use to communicate are not neutral – they are a message in themselves, and that message inevitably changes the content you intended to convey.

The example given in the post is how Paul’s epistles were practically filler for much of the Dark and Middle Ages: Few people could read, you see, and most folks got lots of their biblical knowledge from the local cathedral’s stained glass windows, which naturally made concrete stories all the rage. But Paul experienced something as a renaissance during — well, he Renaissance: As believers pocketed more schooling, Paul’s scholarly letters came in vogue, with the result that Christianity became a little less about story and a little more — well, stodgy.

I had never thought — at least not very deeply — on how the media might affect the faith: I simply assumed that, as long as the message is being expertly conveyed regardless of medium — books, music, movies — the core would come through.

But what if someone refused to actually read the Bible and instead got all his biblical knowledge from, say, movies? Not only would he see a lot of Charlton Heston, it seems like he’d also get a steady dose of CGI-ready stories: Noah’s Ark, Moses’ Exodus, John’s Revelation. The poetry of Psalms would never make it on screen — certainly not effectively. Meanwhile, musicians could make some outstanding albums just using the Psalms. But they might not be able to use, say, 1 and 2 Kings quite as effectively.

Which makes me wonder … what sections of the Bible seem made for this hyper-fast, hyper-wired world of ours? Is Proverbs the biblical book of choice for the Twitter age?

Cultivating Culture

Tuesday, September 8th, 2009

 

El Greco's Pieta

El Greco's Pieta

The Evangelical Outpost, one of my favorite blogs, tipped me off to a pretty fascinating essay at The Witherspoon Institute’s Public Discourse. Both the original essay (by Matthew Milliner) and Tim Bartel’s take at the Outpost are both worth reading, but if I could sum up the theme of both in two sentences, it’d be this:

 

Conservatives (and evangelicals) are all-pro culture warriors, but they’re pretty amateurish when it comes to actual culture. And we really should get better.

Bartel notes that we evangelicals are trying to do better, but he worries that this new emphasis on culture is maybe more “fad” than a true cultural resurgence. “In the late 90s Christians watched Veggie Tales,” he writes. “In the late 2009 they ‘create culture,’ and maybe by 2015 they will have taken up roller-blading.”

I don’t mean to be pessimistic, because I think that Milliner is absolutely right, and that this call to care about and create culture is a much greater than a fad.  Fads take place within culture, not the other way around.  The problem with Christian fad-mongering and the problem with liberal take-over of the aesthetic realms are the same.  This problem lies in the difference between the art that replaces traditional doctrine and values and the art that doctrine and values plan for and protect.  The former type of art is predicated on the assumption that aesthetic theory and artistic creation occupy the same cultural space as theology and religious practice, and that because of this, one must make way for the other; there is no room for both.

I completely agree with Bartel. But that said, it’s imperative we use the arts to support the doctrine and values we hold so dear. Because while our values may be eternal, culture carries them forward.   

Art, music, storytelling and the like convey truths from generation to generation. They are found in the marble of Michelangelo, through the intricacies of Bach, through the stories of C.S. Lewis. Even in the Bible, it’s the stories that stick with us: Jesus spoke in parables because we’re wired to respond to them. And, let’s face it: More of us would remember Leviticus a bit more if the author had thrown a story or two in there.